
Nudes
Side Gallery
Nudes
The naked human form has been a perennial subject matter for artists and explored by photographers since the medium first emerged. The nude in photography has continued to evolve and its trajectory was often in direct response to changes in society, particularly around the representation of women.
As the power dynamic and roles of women in society changed dramatically during the twentieth century so did the representation of women. It is interesting to consider how women are perceived through the 'male gaze' particularly against the works by Carol Jerrems and Merryle Johnson. This selection speaks to a broader conversation about how male photographers have explored the naked body, particularly the female form, from images that are highly sexualised to intimate portrayals of friends, to those that are documentary in approach and comment upon diverse subject matters including Australian beach culture.

Paul COX
Age of Aquarius (Carol Jerrems, Jan Hurrell) 1970
gelatin silver print
42.2 x 40.6 cm
Monash Gallery of Art, City of Monash Collection
donated by the artist through the Australian Government's Cultural Gifts Program 2000
MGA 2000.85
courtesy of the artist's estate and Monash Gallery of Art
Rennie Ellis (1940–2003) was a photojournalist who chronicled Australian culture in the late twentieth century. He had a particular interest in the social life of Melbourne, and often documented celebrations, political protests and other public events. Ellis was also a driving force in the push to have photography recognised as a contemporary art form, and in 1972 he established Brummels Gallery of Photography, the first gallery dedicated to showing photography in Australia. During the course of his life Ellis rarely staged exhibitions, but his images were widely circulated in publications including a range of books authored by Ellis.
This photograph is from a series of images collectively titled Carol Jerrems, Mozart Street (1970). The series constitutes an informal portrait of Jerrems posing in her bedroom. While Ellis is well known for his social documentary work and his profile as a street photographer, he also produced a significant archive of nude photography and intimate portraits. This aspect of his practice provides further evidence of Ellis’s ability to establish an amicable report with his subjects. Ellis and Jerrems were both part of the same social scene in Prahran during the 1970s, and worked together on a range of projects.

Merryle JOHNSON
Untitled [Wendy on bentwood chair flinging hair] nd
gelatin silver print
17.9 x 19.0 cm (each)
Monash Gallery of Art, City of Monash Collection
donated by Merryle Johnson 2014
MGA 2014.030

Norman LINDSAY
Semi draped model in outdoor location 1 c. 1911
gelatin silver print
59.5 x 45.5 cm
Monash Gallery of Art, City of Monash Collection
donated by Katherine Littlewood 2000
MGA 2000.27

Peter ELLISTON
Wylies #31 1998
from the series Wylies
silver dye bleach print
103.0 x 82.0 cm
Monash Gallery of Art, City of Monash Collection
donated by the artist through the Australian Government's Cultural Gifts Program 2004
MGA 2004.49
courtesy of the artist

Paul KNIGHT
14 months #01 2008
chromogenic print
50.5 x 40.0 cm
Monash Gallery of Art, City of Monash Collection
donated through the Australian Government's Cultural Gifts Program 2011
MGA 2011.143
courtesy of the artist and Neon Parc Gallery (Melbourne)
Paul Knight is an Australian artist currently based in London, UK. Knight graduated from the Victorian College of the Arts in 2001. In 2002 he was awarded a two-year studio at Melbourne's Gertrude Contemporary Art Spaces and in 2007 he was awarded the Ann & Gordon Samstag Travelling Visual Arts Scholarship, which led him to complete a Master of Fine Art at the Glasgow School of Art in 2009. In 2009, Knight won the William & Winifred Bowness Photography Prize.
Since his first solo exhibition in 2000, Knight has established a significant profile as a contemporary photographic artist. His work has received wide critical acclaim and he is represented in several Australian public collections, including the National Gallery of Victoria, Monash University Museum of Art, Gold Coast City Art Gallery, and the Museum of Contemporary Art. Knight’s work has been included in many significant curated exhibitions (Art Gallery of New South Wales 2012, Centre for Contemporary Photography, Melbourne 2011, Museum of Contemporary Art, Sydney, 2008).

Paul COX
Leongatha 2 1970
gelatin silver print
35.2 x 49.0 cm
Monash Gallery of Art, City of Monash Collection
donated by the artist through the Australian Government's Cultural Gifts Program 2000
MGA 2000.74
courtesy of the artist's estate and Monash Gallery of Art
Paul Cox (1940–2016) moved to Melbourne from the Netherlands in 1965. Upon arrival he quickly established himself to become a widely exhibited, award winning photographer. He taught photography and cinematography from 1974 to 1984 at Prahran Technical College and influenced the work of young photographers at the time, including Carol Jerrems. He travelled widely during the 1960s and 1970s, particularly through Asia and the Pacific, and exhibited his work in Australia and overseas. While initially focussing on still photography, Cox’s interest in filmmaking grew stronger and he become a significant Australian film director.

Drew PETTIFER
Untitled (Aden in the mirror) 2010
from the series I keep mine hidden
chromogenic print
45.0 x 30.0 cm
Monash Gallery of Art, City of Monash Collection
donated through the Australian Government's Cultural Gifts Program by Tony Lee 2014
MGA 2014.105
courtesy of the artist

Lewis MORLEY
Christine Keeler 1963 proof sheet 1963
gelatin silver print
22.3 x 31.4 cm
Monash Gallery of Art, City of Monash Collection
donated by the artist 2006
MGA 2006.25
courtesy of the artist